![]() ![]() Specific job duties vary with the pre-press area to which the employee is assigned. Insure quality and resolve errors independently except when requiring supervisor’s approval Prepare color and proofs, accurately including formatting text such as hard and soft returns, importing art or photos while composing advertisements on MAC equipment using a variety of programs such as InDesign, Multi-Ad, Quark, Illustrator or Freehand and PhotoShop Operating and recognizing malfunctions in various typesetting and Mac composition equipment and proof-making equipment Perform a variety of job duties in a sophisticated electronic Mac based pre-press area fully knowledgeable and competent in at least three general pre-press job functionsĪbility to navigate on Mac in various programs to compose, save, correct and deliver advertisements that meet or exceed customer expectations with accuracy and creativity ![]() Strong knowledge of compositing workflow and the compositing application interfaceĪbility to teach new techniques and apply new approaches to push compositing to the next level Strong aptitude for technical workflow challenges such as directory structure, file formats, naming conventions, scripts, automation tools, automated dailies, etc Understanding of photography, physics and lightingĮxcellent attention to detail when finalizing, approving or quality controlling shotsĪbility to train and coach artists in compositing techniques and best practice Responsible for working with the Compositing Supervisor to assess, assign and monitor compositing needsĬomplete compositing tasks include blue/green screen pulls, 3D projection environment in Nuke, balancing and sometimes creating shadow elements, color correction, wire & rig removal, roto, dust-busting, morphs, transitions, background replacement, day-for-night, dry-for-wet and a host of other 2D issues if time permitsĮxperience with complex matte extractions and motion tracking Take direction from the Compositing Supervisor to help realize the vision of the shots through the compositing team Good understanding of photography and film and how the interactions of light, lenses and film emulsions go to make up the imageĪbility to understand black levels, grain structure and any technical issues pertaining to the film formatĪbility to composite multiple types of shots from simple to difficult with increasingly less supervisionĬommunicate the creative brief and real-world references from the VFX Supervisor and Director to the Compositing teamĬommunicate successes and challenges faced by the team to the Compositing Supervisor Knowledge of compositing workflow and the compositing application interface assemble cg passes, cleanup, keying, roto)Ībility to balance quick turnaround while achieving a high degree of aesthetic quality Work closely with lighters and matte painters to finish shots so that computer generated elements are seamlessly integrated with live-action platesģ+ years’ experience in compositing digital VFX for filmĭemonstrated work experience in Nuke (ie. ![]() ![]() Work with Compositing team to maintain continuity and consistent performance within a show Provide input regarding tools and interfaces to improve throughout Work with production and supervisor team to understand and manage schedules and shot deadlinesĪttend dailies, reviews, and team meetings Work primarily with Compositing Supervisor/ leads to effectively solve compositing challenges within the pipelineĬomposite multiple types of shots (live action footage, digital still photography, rendered cg elements and digital paint) with minimal supervision to create believable environments that are to be seamlessly integrated into the film Apply client notes to all comp shots with minimal guidanceĮnsure continuity is upheld across shots and sequences ![]()
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